Camera Lenses

  • Olympus 40-150mm

    Olympus M.Zuiko ED 40-150mm f2.8 PRO

    The M.ZUIKO 40-150mm f2.8 PRO is a compact, full-featured zoom that sports premium metal construction and professional-quality lens elements. It’s light in weight and fully sealed for weather protection, delivers super-sharp edge-to-edge image quality, and boasts the world’s first Dual VCM autofocus mechanism. An excellent complement to your fast primes and the 12-40mm f2.8 PRO.

    Description from Olympus

  • Leica 12mm

    Panasonic Leica DG Summilux 12mm f/1.4 ASPH

    A fast and optically refined wide-angle prime, the Leica DG Summilux 12mm f/1.4 ASPH. Lens from Panasonic is a 24mm equivalent lens designed for Micro Four Thirds digital cameras. Characterized by its truly bright f/1.4 maximum aperture, this lens is ideal for working in low-light conditions and also affords a wealth of control over focus placement for using shallow depth of field techniques. The optical design employs a pair of aspherical elements, two ultra extra-low dispersion elements, and one extra-low dispersion element in order to control both spherical and chromatic aberrations for a high degree of sharpness and clarity from edge to edge. Benefitting the optical assets, this lens also incorporates a smooth and quiet autofocus motor that is well-suited to both stills and video recording, and a manual AF/MF switch lends direct focus mode adjustment for more intuitive handling. Additionally, the all-metal construction of the lens is also weather-resistant in order to permit working in trying environmental conditions. Pairing Leica’s design legacy with Panasonic’s technological innovation, this versatile wide-angle prime is distinguished by both its optical merits as well as intuitive handling and contemporary functionality.

    Description from B&H Photo Video

  • Lumix Leica 100-400mm

    Panasonic LUMIX G 100-400mm, Leica DG Vario-Elmar Lens

    A Micro Four Thirds lens with a not-so-micro zoom range, the Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S. Lens from Panasonic offers a truly expansive 200-800mm equivalent focal length range, yet retains a relatively compact stature to suit the Micro Four Thirds system. Characterized by its Leica branding, this sophisticated optic employs aspherical and extra-low dispersion elements to significantly reduce chromatic and spherical aberrations throughout the zoom range for a high degree of image clarity and sharpness. Also benefitting image sharpness, a POWER O.I.S. system, which is compatible with Lumix G camera’s Dual I.S. function, helps to minimize the appearance of camera shake for sharper handheld shooting at longer focal lengths.

    Description from B&H Photo Video

  • Lumix-35-100mm

    Panasonic Lumix G X Vario 35-100mm/F2.8 ASPH.

    The 35-100mm is impressively compact in size, and significantly lighter and more compact than notionally-similar 50-150mm F2.8 lenses for APS-C SLRs, let alone 70-200mm F2.8s for full frame. However this comes with a trade-off in terms of its ability to isolate subjects by blurring the background – in this respect it’ll give similar results to an F3.5 lens on APS-C, or an F5.6 lens on full frame.

    Naturally the lens is designed with movie shooting in mind, with a linear stepper motor for near-silent autofocus, and Panasonic’s video-optimised ‘Power OIS’ stabilization system. The complex 18 element / 13 group optical system features elements crafted from Ultra Extra-Low Dispersion (UED) and Extra-Low Dispersion (ED) glass, and uses Panasonic’s Nano Surface Coating to minimize internal reflections and flare. The diaphragm uses 7 rounded blades to give a circular aperture for attractive rendition of out-of-focus backgrounds. On paper this all adds up to a tempting specification.

    Being a Micro Four Thirds lens, the 35-100mm will work on Olympus cameras just as well as Panasonic’s Lumix G models, and it looks like particularly interesting match to the Olympus OM-D E-M5 – one of our favourite cameras of the past year. Of course it’s also likely to appeal to users of Panasonic’s enthusiast bodies, such as the DMC-G5 and GX1.

    Description from DPReview

  • Leica 45mm

    Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S. Lens

    The Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S. Lens has a built-in image stabilizer. The lens allows you to capture your subjects in their actual size, at a true macro 1:1 ratio. It is also great as a medium-length telephoto lens for portraits, snapshots and landscapes.

    Description from B&H Photo Video

  • Olympus 300mm

    Olympus M. Zuiko Digital ED 300mm f/4 IS Pro Lens

    Outstanding F2.8 large-aperture super-telephoto lens. It is equivalent to 600 mm on a 35mm camera. You can accurately get the expression into a distant subject we would normally miss altogether, and feel the distinct super-telephoto effect. This overwhelming super-telephoto lens invites you to another image world. Perfect lens for wildlife and field sports photography.

    Luxurious three ED lenses are used to provide the highest image quality with optimal resolution and contrast.

    ** Drop in PL filter, ND4, ND8 and Clear filter included.

    Directly compatible with E-System cameras. Compatible with Micro Four Thirds digital cameras (PEN\OM-D) through use of the MMF-2 or MMF-3 (Four Thirds Lens Adapter to Micro Four Thirds Lens Adapter). The MMF-3 is dust and splash proof for use with that type of lens on a dust and splash proof body. Note, AF performance may diminish as compared to being on an E-System body.

    Description from Olympus

  • Olympus 12mm

    Olympus M.ZUIKO DIGITAL ED 12mm f/2.0 Lens

    Offering a 35mm equivalent of 24mm for Micro Four Thirds shooters, the Olympus M.ZUIKO DIGITAL ED 12mm f/2.0 lens from Olympus is a fast prime lens featuring a full metal construction for durability. The 12mm benefits from an aperture range of f/2-22 and utilizes DSA, aspherical, ED, and Super HR elements to control aberrations for greater clarity and color accuracy. Additionally, the lens features a seven-blade circular diaphragm for pleasing out-of-focus elements.

    The lens features a Movie-Still-Compatible autofocus system for silent focusing even when tracking a subject in video. Along with autofocus, manual focusing is possible through a snap ring on the lens body that features a distance indicator. The lens focuses from 7.9″ to infinity and accepts 46mm filters.

    Description from B&H Photo Video

  • NIKKOR 24-70mm

    AF-S NIKKOR 24-70mm f/2.8G ED

    Praised for its reliability and overall image quality, this is a long-time favorite lens of passionate professionals. With a fast fixed aperture of f/2.8 across a 24–70mm zoom range, this lens provides both fine resolution and natural representation. A Nano Crystal Coat helps effectively reduce ghost and flare effects under harsh lighting for greater image clarity. Its Internal Focus (IF) provides fast and quiet auto focusing without changing the length of the lens, so you can retain subject to working distance through the entire focus range.

    Description from Nikon USA

  • Nikkor 600mm

    AF-S Nikkor 600mm f/4G ED VR

    The high-speed, high-performance AF-S NIKKOR 600mm f/4G ED VR produces images with exceptional sharpness, contrast and color thanks to advanced Nikon lens technolgies and renowned NIKKOR optics. Vibration Reduction (VR II) image stabilization assures dramatically sharper still images and video capture. Silent Wave Motor (SWM) enables ultra-fast, ultra-quiet autofocus with seamless manual focus override. Nano Crystal Coat (N) and Extra-low Dispersion (ED) glass delivers superior color, sharpness and contrast, even in challenging shooting situations. For those seeking the ultimate long-reach performance the AF-S NIKKOR 600m f/4G ED VR answers the call.

    Description from Nikon USA

  • Lumix 12-35mm

    Panasonic Lumix G X Vario 12-35mm / F2.8 ASPH.

    The Lumix G X Vario 12-35mm F2.8 ASPH OIS is a premium image-stabilized zoom for Micro Four Thirds cameras, offering a classic 24-70mm equivalent focal length range. It’s tiny for an F2.8 zoom, and features weather-sealed metal-barreled construction. The 12-35mm is designed for both stills and movie use, with a near-silent stepper focus motor for silent, fast autofocus.

    Description from DPReview